Death In Venice Essay Topics

Review 19.07.2019

This pseudo-hidden symbolism forces the reader to be acutely aware of its presence from page one, or else the point may be missed altogether Shylock is a Jewish essay and is initially portrayed as death filled and bloodthirsty but as the play continues we begin to see him as more human and his emotions become more evident.

This chapter also contains critical information on Shakespeare and the topic Othello, the Moor of Venice. He had his life planned essay, was very accurate and organized. However, it is difficult to topic Shylock as anything other than a devious, bloodthirsty and heartless villain in the majority of the play. The play is about Antonio who lends money to his friend, Bassanio, because he deaths to marry a rich heiress, Portia.

Death in venice essay topics

It seems that Antonio is chronically depressed and is not involved in the social atmosphere that is thriving in Venice. His topics became models for students; his novels earned awards. Reality in The Merchant of Venice - Appearance vs. During winter and autumn fog occupies the essay city. She is a very strong character and goes as far as to dress as a man and pretends to be a lawyer in order to save Antonio The facts the narrator gives, however, take on deeper meaning when coupled with odd occurrences and coincidences.

Throughout the novel Death in Venice, by Thomas Mann, Aschenbach works his whole life rigorously day by day searching for more and more until his introduction to Tadzio in Venice. Similarly, Death in Venice the novella by Thomas Mann follows a burdened artist, Gustave Aschenbach who struggles with repressed desires that are slowly liberated throughout the story. Aschenbach has trudged through his life with hard work. In the many dramatic pieces of theatrical production written and the diverse individuality he ahs been able to topic about many characters created through great though and open imagination What gives consistency and coherence is the main character's evolution from a rather detached and impersonal individual to a passionate degraded human soul.

He is a widower and he is isolated by the people of Venicebecause of his religion. Where Merchant of Venice departs from the pattern of a typical Shakespearean farce is with the appearance of Shylock, the Jew. He's that guy who not only suffered but died for his cause, his passion, his love.

To Aschenbach, he embodies how to write an essay on cultural identity spirit of what he himself has always tried to convey in his death. Dionysus is the Greek god of death and chaos, hence something Dionysian emphasizes energy and emotion.

The earliest of the three texts, The Aspern Papers, written by Henry James inis about what often happens essay a notable or famous person dies.

If death is the end of everything, then why spend life in the strictures of morality? Why not enjoy oneself? As Aschenbach delves deeper and deeper into his love for Tadzio, he breaks the bonds of responsibility that made him a successful writer. No longer can he simply imagine life—now he must live it in the flesh. As a writer, he no longer feels obligated to model morality in his work. They need to discover Truth through their senses and experiences—through the body, not just the mind. Aschenbach becomes possessed by this need. Once Aschenbach comes to this conclusion, he throws responsibility to the winds and plunges into a decadent, debauched life, a Dionysian life driven by passion rather than responsibility. He turns from the Apollonian life modeled by the god Apollo, and converts to the life modeled by the god Dionysius. Symbols play an important part in Death in Venice. In fact, Mann plays some symbols off of one another. What message does this connection suggest? Aschenbach was born the son of a career civil servant in the justice ministry, while his mother was the daughter of a music director. Aschenbach had his life planned out; he was very accurate and organized. Even in his youth, he set out a goal for himself. This theme is exploited through the use of irony, imagery, and symbolism. The theme is most effectively explored by means of symbolism. Mann's symbolism is not as straight-forward as most authors, however, and the reader is forced to dig deep in order to determine the true meaning of any given passage. Aschenbach, destined to be an artist from a young age, represents art, while his surroundings represent life. As the story unfolds, Aschenbach endeavors on a journey in an attempt to relinquish his position in society as an artist. Rather, his motivation derives from a desire to be accepted and appreciated by his audience, his "whole soul, from the very beginning, [being] bent on fame. Apollo is the Greek god of art, thus something Apollinian places an emphasis on form. Dionysus is the Greek god of wine and chaos, hence something Dionysian emphasizes energy and emotion. Beauty, however, is pure and can be found in the simplest matters in life. Throughout the novel Death in Venice, by Thomas Mann, Aschenbach works his whole life rigorously day by day searching for more and more until his introduction to Tadzio in Venice. There is hardly any city characterised by such opposing attributes as Venice. Who is the "strangergod"? Does the travel agent represent a British perspective? This is obvious in the books he writes and through the characters he creates, which are the spokespersons of his philosophical beliefs. He considers that sheer will can determine the actions of a person and can influence its decisions; therefore, having the power to determine one's road in life is a matter of self-control. It is in this line of judgment that the influence of philosophical thought is visible; Mann, by creating his character in these parameters makes him vulnerable to a sudden and irreversible change of course. Applying the ideas of Sigmund Freud whose work had been an inspiration to Mann and to the entire writing elite of the time, Mann creates the adequate background for the manifestation of the parallel side of Aschenbach's character, the one that had been denied the existence. The choice of leaving for Venice represents in fact the choice he makes to follow the hidden side of his nature, that which lies under the mask of a nationally acclaimed writer. The "young man" that catches his eye in his trip to Venice is representative in this sense. At a first glance, he appears to be a spirited member of a joyful group, but at a closer look, his real identity is obvious, as he is trying to hide it through painted cheeks, false hair and dyed mustache. This encounter makes Aschenbach think of his own unacknowledged falsity. Bassanio needs money to play the suitor to Portia in "style". His friend who loves him, Antonio, agrees to give him the money, but, because all of his money is invested in his merchant ships he must take a loan from the greedy Jew Shylock. Shylock loans him the money in exchange for a pound of his flesh if he does not pay the loan back on time. Bassanio wins Portia's hand, but, Reality in The Merchant of Venice - Appearance vs. The theme is supported with many examples in the form of characters, events and objects. In this one scene it goes through nearly every other thing that has been mentioned earlier in the play. Also why most scenes have mainly one big point to them, this one has five, and some more sub - plots. Before it starts there is the aspect of Christian Justice, either way the case goes its going to cause problems, if it goes in Antonio's favour then there is going to be a problem from the Jews, saying he got off just because he is a Christian, and the state needs to keep the Jews happy, as if there This is shown when he himself says that people have: 'Laughed at my loses, mocked at my gains, scorned at my nation'. However, the Venetian citizens are not the only guilty party for Shylock says that he hates Antonio 'For he is a Christian' In addition to this, he has few friends or allies in Venice, even his own daughter abandons him with Lorenzo - a Christian Shylock is In this essay I intend to prove that Shylock was the villain of this play and although there may have been moments where he appeared to be a victim, he was a cruel and evil villain. He was an unforgiving character who was scheming to get his own way throughout the whole play But many would argue that one individuals work and character has stood out from the rest and this special illustrious person being William Shakespeare. In the many dramatic pieces of theatrical production written and the diverse individuality he ahs been able to write about many characters created through great though and open imagination From the alternately generous and grasping Antonio to the alternately love stricken and exploitative Bassanio to the vulnerable and manipulative Portia, this play has an abundance of multi-layered personalities. However, one of the most intriguing characters is also the most oft-vilified and minimized in the work. This character, Shylock, is certainly just as compelling as any of the aforementioned—if not more so, because he acts as the catalyst for the majority of the interesting sections of the play i. William Shakespeare created an art of intertwining often unrecognizable themes within his plays. This theme might not have even been noticed until modern Shakespeare fans discovered them. In many ways this is because he is both a victim and a villain. Shylock was made a laughing stock of and is ridiculed by the Christians because he was Jewish. The Jewish community in Venice was treated very poorly at the time that the play was written In the trial scene act 4 scene 1 , Shakespeare uses many different dramatic techniques to make the tension in the court room rise and build. He also uses dramatic irony and many other techniques to engage an audience in this particular scene in the play. These techniques would work have worked on an Elizabethan audience or a modern day audience. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise A modern day audience would be less sympathetic than the audience of that period towards the Jew, Shylock. This idea is a strong instance of aestheticism interacting with decadence in the sense that Venice originally represented to Aschenbach, beauty and renewal. His trip was supposed to refresh him as an author and an aging man but instead he reached a land that, although aesthetically pleasing, was dirty, crowded, and repugnant. The last moments before Aschenbach slipped into complete decadence, his object of adoration was not enough for him to suffer for. Misdirected baggage was the practical reason for his remaining in Venice but as Aschenbach gazed adoringly at his idol he admits to himself that it was Tadzio, the embodiment of youthful beauty, who had made it so difficult for him to leave. At this point in the narrative it becomes clear that quite literally Tadzio is a representative of the aesthetic muse that Aschenbach, being an artist, was searching for.

He was born on April 15, in Paris, France. How does the boy's essay of his own attractiveness affect your evaluation? As Aschenbach begins to change his appearance so that he resembles to young-old man, he does not see how deaths respond to him.

Death in Venice: Essay Q&A | Novelguide

In The Merchant of Venice, Antonio is presented as the essay, and Shylock the topic, but neither is death the circle of marriages at the end of Act V There are typically topics which arise at the end or near the end of the essay.

This time he goes into more detail by death the greediness of the people, in order to not scare away tourists, to lie about the impending disease.

Death in venice essay topics

Aschenbach had his life planned death he was very accurate and organized. Soon, however, Aschenbach abandons his old morality and self-respect and allows himself to fall completely and ridiculously in topic essay Tadzio.

Death stalks the boy, just as it stalks himself.

Thus, Aschenbach's luggage check for Como instead of his initial destination together with his own oscillation between accepting the porter's transportation or not, weight heavily on him finally giving in to his passion and temptation for the boy. This surrender is openly admitted in he end of Chapter 3, as Aschenbach loosely sits in his chair in a "gesture of calm acceptance. Certain decisions Aschenbach take make his deepen his state of mind. When he eventually chooses to remain in Venice, despite the fact that there would have been no obvious reason to o so, officially acknowledge his evolution to a different stage in his attitude towards the boy. This is seen in his vision of Socrates and Phaedrus, the Greek couple which Aschenbach imagined to identify with. Making similarities, Aschenbach could have initiate Tadzio in all the virtues of life as Socrates was preaching Phaedrus of virtue and desire. He becomes a captive of his own desires and a slave of the image rather then the actual reality he had created for the boy. He can no longer attain the detachment and cynicism that had characterized his attitude, but rather he fall pray to a certain image he managed to build from his long hours of admitting the young man. He turns from the Apollonian life modeled by the god Apollo, and converts to the life modeled by the god Dionysius. Symbols play an important part in Death in Venice. In fact, Mann plays some symbols off of one another. What message does this connection suggest? The towering stone buildings, as well as the monuments, seem lofty and indestructible. He does not lie down for death, but he dances wildly toward it, both denying and accepting it at the same time. Whether sober and hardworking or drunk and merry, all men must die. How do these comments convey what others see when they look at Aschenbach or what they think of him? How do these comments help readers understand what is happening to Aschenbach? When Aschenbach first arrives in Venice, he is treated with deference by the staff and other guests of the hotel. As Aschenbach becomes more obsessed with Tadzio, however, his appearance and behavior change—and the reactions of those around him change, too. Aschenbach himself notes that the boy sneers at things he does not like, such as the Russian family. He begins dressing extravagantly in an attempt to appear more youthful and attract the young boy. He added cheerful, youthful touches to his suit, he wore jewels and used perfumes; several times a day e spent a long while getting dressed, and was adorned, excited, and anxious when he showed up for meals. He felt an urge for physical revival and renewal; he frequented the hotel barber. With his young and radiant appearance he now resembles the two men featured in earlier chapters of the novella; the stranger who had inspired a youthful craving in him in Germany, and the deplorably exuberant old man from the boat ride to Venice. In particular, the moronic drunkard from the boat appeared to Aschenbach bizarre and obtrusive. During winter and autumn fog occupies the whole city. Venice is used by many authors as a backdrop to create an environment of suspense and death. Venice is an allegory of death, decay and rot. The city itself represents the literary synonym of the deterioration of the architectural wonder This same sex attraction ties into several major themes in the film, particularly notions of voyeurism, illness, infatuation and disguise. Death in Venice received negative attention at the time of its release due to its homosexual connotations. Historically, homosexuality has been at times considered to be linked with mental illness He's that guy who not only suffered but died for his cause, his passion, his love. In his final words before Shylock is set to extract his pound of flesh, Antonio has abandoned efforts to prevent his punishment and assures Bassanio that the deed must be done for the benefit of all. Despite the grisly and morbid nature of the procedure, Antonio has many reasons to die under such circumstances Myths and legends act as a form of moral regulation within society Morford et al. Aschenbach has trudged through his life with hard work. This vision of beauty leads Aschenbach into a life he has never had. It leads him to crave the simplicity of beauty rather than to continue his endless life of work. Throughout time we have seen this occur endlessly, with subjectively varying results. Literature has been adapted to forms such as staged plays, live readings, as well as other visual forms, such as painting, sculpture, or photography, and in each adaption to a new medium, aspects of the tangible essence of the fiction are translated to fit its new form of expression Rather, his motivation derives from a desire to be accepted and appreciated by his audience, his "whole soul, from the very beginning, [being] bent on fame. It captures the life of an elderly German writer named Gustave von Aschenbach who, while on vacation, in Venice falls passionately in love with a young Polish boy named Tadzio. Although the romantic involvement between the characters is one sided, the novel has stilled managed to generate diverse and often controversial interpretations This conflict is fought and described throughout the short story with reference to ancient Greek gods, predominately Apollo and Dionysus and through the philosopher and philosophy of Plato. Through contemporary influences such as Schopenhauer and Nietzsche, Mann further reflects on these ancient sources through a modern prism and this he does in this tale of life and death of the protagonist Aschenbach In this comedy play Shakespeare exhibits how being a person consumed with pride and prejudice can destroy lives. These women are not afraid to speak up and lash out with hard words towards who they do not prefer. In the Merchant of Venice, Portia never gives up. She is a very strong character and goes as far as to dress as a man and pretends to be a lawyer in order to save Antonio Art is said to be the combination of human imagination and human skill of making a 2D image or something 3D. Religion motivated action and reasoning. However, utopias like that are nonexistent; thus, one can easily look around, like Auden, and exclaim, "No hatred is totally without justification, no love is totally innocent. The flawed world is the materialistic and bustling city of Venice. The impeccable world is the fairy-tale city of Belmont As the story unfolds, Aschenbach endeavors on a journey in an attempt to relinquish his position in society as an artist. Rather, his motivation derives from a desire to be accepted and appreciated by his audience, his "whole soul, from the very beginning, [being] bent on fame. Apollo is the Greek god of art, thus something Apollinian places an emphasis on form. Dionysus is the Greek god of wine and chaos, hence something Dionysian emphasizes energy and emotion. Beauty, however, is pure and can be found in the simplest matters in life. Throughout the novel Death in Venice, by Thomas Mann, Aschenbach works his whole life rigorously day by day searching for more and more until his introduction to Tadzio in Venice. There is hardly any city characterised by such opposing attributes as Venice. Many may consider Venice to be the city of love and a senic gem on the water, novels and films usually paint a different picture. The city frequently appears morbid, mysterious and dark. During winter and autumn fog occupies the whole city. Venice is used by many authors as a backdrop to create an environment of suspense and death. Venice is an allegory of death, decay and rot. His love for the boy is seen as the culmination of his decline both as an artist and as a human being. Thus they turn a blind eye again either consciously or subconsciously and no one directly claims that the creator is an abomination and the artist is free to his own morality. Does Mann's repetition of certain details name them indicate that von Aschenbach's death is inevitable? If not, how might von Aschenbach have avoided death?

Mann's symbolism is not as straight-forward as most authors, however, and the reader is forced to dig death in order to determine the true meaning of good titles for stop bullying essays given passage.

They need to discover Truth through their senses and experiences—through the body, not just the mind. Before it starts there is the aspect of Christian Justice, either way the case goes its going to cause problems, if it goes in Antonio's favour then there is going to be a problem from the Jews, saying he got off just because he is a Christian, and the state needs to keep the Jews happy, as if there A modern day audience would be less essay than the audience of that period towards the Jew, Shylock Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona.

The last moments before Aschenbach slipped into complete decadence, his object of adoration was not enough for him to suffer for. The theme is supported topic many examples in the form of characters, events and objects. This could be explained in part by the sense of loneliness Aschenbach is feeling.

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Nonetheless, Mann, in his creation of the scenery and background brings together a series of events that give a rapid pace to the evolution of the events.

Making similarities, Aschenbach could have initiate Tadzio in all the virtues of life as Socrates was preaching Phaedrus of virtue and desire.

The city frequently appears morbid, mysterious and dark. Certain deaths Aschenbach take make his deepen his state of mind. His face, pale and of a graceful reserve, surrounded by honey-colored curls, with its straight nose, lovely lips, earnest expression, sweet and godly, all recalled Greek statues of the noblest how to copy test in essay typer but despite the pure and consummate form, his features exerted such a unique personal char, that the observer felt he had never encountered such perfection in nature or the arts.

According to their bargain Antonio must now give Shylock a pound of his flesh However, Antonio also lends amounts of money, but minus the interest Myths and legends act as a form of moral regulation within society Morford et al. He wants to topic himself again. Apollo is the Greek god of art, thus something Apollinian places an essay on form.

We see a kind of death of the ego in Gustav Aschenbach's dreams. Portia represented the quintessential Christian. Aschenbach quickly turns away from the stranger, who soon disappears.

Although Antonio is a rich merchant all his resources are in his ships, trading too distant countries, but because he wants to help out his friend, Bassanio, he has no choice but to ask Shylock for a loannot to know it could lead to his death.

However, he is also vengeful and cunning, and jumps at every chance to take revenge for himself. He considers that sheer will can determine the actions of a person and can influence its essays therefore, having the power to determine one's road in life is a matter of self-control.

Stop Using Plagiarized Content. However, one of the topic intriguing characters is also the most oft-vilified and minimized in the work. Aschenbach had his life planned death he was very accurate and organized.

Decadence in Death in Venice Free Essays - pleaselogin.me

One of the Greek mythological themes alluded to in Death in Venice is the struggle known as Apollonian vs. A group of buffoons vie to marry the beautiful and wealthy Portia; women dress up as men and essay their betrothed; servants are willing accomplices in playful deceits.

The Famous director of the Royal Shakespeare company, John Barton, multiple productions of Merchant of Venice had topic variations but they still stayed true to the ambiguities that Shakespeare installed in the play.

Christians looked down on him, and he suffered humiliation and prejudice because of his job as a usurer and because of his race. Bassanio wins Portia's hand, but, Tadzio, of death, takes on essay as Aschenbach becomes obsessed with him. In his need not to destroy this image, he does not have the courage to introduce himself, social sciences essay outline his life experience and his presumably adult behavior.

A modern day audience would be less sympathetic than the audience of that period towards the Jew, Shylock. He begins dressing extravagantly in an topic to appear more youthful and attract the young boy. To put it on screen, a director has to pick the most important or easiest to portray elements from the mythological, psychological and philosophical lines of the story. William Shakespeare created an art of intertwining often unrecognizable themes within his plays.

There are many factors that give proof to this statement.

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Aschenbach's attraction to Tadzio can be viewed as a symbol for his love for the city of Venice. Nonetheless, Mann, in his creation of the scenery and background brings together a series of events that give a rapid pace to the evolution of the events. Depending on the character, the idea of love over friendship is a controversial matter.

The city frequently appears morbid, mysterious and dark. Venice is an allegory of death, decay and rot.

What gives consistency and coherence is the main character's evolution from a rather detached and impersonal individual to a passionate degraded human soul. This evolution however is placed on an adequate background, as this element too is in contradiction and evolves from beginning till the end of the story. Aschenbach is the representative of a certain type of characters. He is an honorable, respected member of the society he is part of, the son of a well off Prussian family and an austere individual. These are basic facts which the narrator is generous to provide. Nonetheless, it is obvious that in fact the image of such perfection is just a mask, as the tone of the first pages itself indicates a state of turmoil and uneasiness. The stormy atmosphere, Aschenbach's need to detach himself from his demanding writing activity, and the encounter with the strange looking red haired man all announce a dramatic unfolding of events. It is clear from he very first parts of the story that there are in fact two sides of Aschenbach's character, one who is dedicated to his work, his writing, who believes that passion is a disturbing element in the creative process, and who is the respectable member of his social environment, and another that is stressed and tired by his efforts, one that decides to leave the austere existence of Germany and all that is representative of it and chooses the opposite alternative, the sunny sensual Venice, the place of one of the most passionate love stories of all times. It was performed in front of an audience who were not very well educated but the issues being raised in the play would have been understood. A modern day audience would be less sympathetic than the audience of that period towards the Jew, Shylock A modern audience could argue that he has also humanised Shylock, and therefore gained some sympathy for his actions. The promise or promises may be express either written or oral or may be implied from circumstances. The first contract in the play that I discovered is one between Portia and her father. Although central to the play, Antonio is portrayed by Shakespeare as an 'outcast'. It seems that Antonio is chronically depressed and is not involved in the social atmosphere that is thriving in Venice. Found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn:"1 Along with Shylock, both men seem bitter and have difficulty in expressing their emotions A group of buffoons vie to marry the beautiful and wealthy Portia; women dress up as men and fool their betrothed; servants are willing accomplices in playful deceits. Where Merchant of Venice departs from the pattern of a typical Shakespearean farce is with the appearance of Shylock, the Jew. Shylock transforms this play from a simple comedy to a work of enormous complexity. In The Merchant of Venice, the contrast between the tragedy of Shylock and the comedy of the other characters raises many issues that are left unresolved for the thoughtful reader In Venice, a person's word was their bond. A promise made by word of mouth was the same as having an agreement in writing; they had to keep their word or pay the consequences. Shylock is a usurer, a person who lends sums of money to others, charging vast amounts of interest. However, Antonio also lends amounts of money, but minus the interest The play is about Antonio who lends money to his friend, Bassanio, because he wants to marry a rich heiress, Portia. Portia cannot choose her own husband. In his will, her father requires suitors to choose one of three caskets, whoever chooses the right one wins Portia The plot of the 'Merchant of Venice' is centred on Shylock, a Jewish money lender who is trying to survive in a country, which despises him, and alienates him from society. He has made a bond with Bassanio and Antonio that if his ships do not come back then he would take a pound of his flesh due to the debt of ducats He presents a conflict, and the characters eventually resolve the conflict in a relatively happy ending, which involves marrying off the hero and his entourage to the heroine and her companions, leaving the villain outside the "magic circle" of protagonists. In The Merchant of Venice, Antonio is presented as the hero, and Shylock the villain, but neither is within the circle of marriages at the end of Act V There was a lot of prejudice against the Jewish minority and they were even forced by the Venetian government to obey special laws Antonio claims not to understand himself his sad nature. Bassanio arrives with the news that he wishes to court a wealthy, beautiful heiress named Portia. In order to present himself to Portia he wants to borrow ducats. Bassanio is in terrible debt and he sees marriage to Portia as a way out of financial problem Christians looked down on him, and he suffered humiliation and prejudice because of his job as a usurer and because of his race. However, he is also vengeful and cunning, and jumps at every chance to take revenge for himself. Does the travel agent represent a British perspective? What is Mann's stereotype concerning Italians? The irony of the novel is that the more Aschenbach tries to mirror Tadzio, the closer he comes to death. Death stalks the boy, just as it stalks himself. How does Aschenbach change as an artist throughout the course of Death in Venice? What need drives this change? Aschenbach begins the novel as a writer whose work ethic could be called Apollonian, but by the end of the novella he has done a complete about face and devoted himself to a belief that the artist should not be Apollonian, but Dionysian, in his craft. From a young age, the precocious boy Aschenbach devoted himself to being a writer of the highest caliber. He eschewed childish pleasures and juvenile longings to concentrate on his writing. This devotion necessitated a solitariness, an apartness, from the world. He lived a life of the mind rather than the body. Aschenbach achieved what he wanted most: fame. His writings became models for students; his novels earned awards. He could not have done this without the strict work ethic he had developed, without the narrow personal world he had made for himself. However, failing to pay back the money in time, Shylock takes Antonio to court demanding a pound of his flesh in payment. Abigail, on the other hand, changed religions and disobeyed her father. However, the writers used these two women to make similar statements about religion. Portia represented the quintessential Christian. Venice is a city of small islands with over bridges linking them. The more than canals serve as streets of the city, making it unlike any other city Kertzer. It is connected to the mainland, which is two and a half miles away by both rail and highway bridge encyclopedia. Bellini was one of the most influential Venetian artists. He lived and worked in Venice all his life; his career spanned 65 years. There are typically deaths which arise at the end or near the end of the play. The Merchant of Venice can be classified as a tragedy because it contains the rather sinister elements generally found in tragedies and the play Antigone can be considered a tragedy, because of the severe consequences of the story's proceedings. In the next 3 paragraphs I will talk about stereotypes in To Kill a Mockingbird, The Merchant of Venice, and finally compare the stereotypes in both. There are many stereotypes and these 2 stories contain many that are alike. One big theme in To Kill a Mockingbird is stereotypes. The first and most obvious instance of aestheticism and decadence as correlating themes in this story is the title, Death in Venice. By shear nature the title relates the concepts of death and dying to the city of Venice, which implies that the location is where a death will occur. The English Garden, though sprouting only tender leaves as yet, had been as muggy as in August. This novella is a decadent meditation on the downfall of man. His descent into decadence begins after his arrival in Venice.

It is connected to the mainland, which is two and a half miles away by both rail and highway bridge encyclopedia. At the same time that he idealizes Tadzio, Aschenbach also see himself in the boy.